by Dub Martin » Thu Jul 03, 2008 1:24 pm
Hi, Cutter,
I've seen and played mandolins that have come back from Steve Perry (Mandovoodoo) and they definitely sounded better. How much better depends on what you started with. One example I played both before and after was a Lebeda F-5 that sounded great before it went to Steve.
I play an Eastman 815 model and mine is going to Steve one day, maybe this year. I've had mine and played it for over two years and it's coming into it's natural voice; a very nice voice I might add. I think it's better to break an instrument in first before taking it to Steve and I think Steve might agree. I also think I'll drive down to Steve's place (12 hrs one way for me) with my mandolin because Steve will see and hear how I play it, tweak it, hand it back and listen, tweak it some more, etc. I think that process has the potential for the best results.
As for Eastman mandolins, if you're wanting an F-5 model, I'd go with the 815. The 915s are definitely fancier but I'm not sure they'll sound or play that much better. The 615s are nice but clearly not on the same level as the 815s. The difference is more than cosmetic and worth the price. Of course they make many other models besides the F-5s.
There are two upgrades you'll want for a new 815: a James Mandolin Tailpiece and a King Brown armrest. I pass on the Tone Guard that many people like and just hold the mandolin out away from my body. But be aware that damping the back of the mandolin with your body pretty much negates any advantage from Mandovoodoo.
I work in a shop that is an Eastman dealer so I see a lot of Eastman mandolins, guitars and violins.
Good luck.